SKU: SS-BUS
UPC: 878076001517
Not to MusiPos
RRP: $4199
1 - Primary Warehouse
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Mooloolaba Music is thrilled to introduce the Solid State Logic Bus + Compressor to our collection, a top-notch device we highly recommend for sound engineers seeking unparalleled audio quality. This compressor is an essential tool for making every instrument in the mix stand out with exceptional clarity, ensuring your sound is always crisp and clean.
Solid State Logic has set out on a quest to engineer the most remarkable and adaptable version of the Bus Compressor to date. Staying true to the original circuit design as its core, this iteration introduces a variety of unique colouration options and enhanced processing capabilities. Whether you desire the pristine and punchy tone characteristic of the SuperAnalogue™ 9000 Series or the rich, gritty texture reminiscent of an early 4000E, this compressor delivers versatility like no other. When it comes to achieving intense, saturated parallel compression for your drums, THE BUS+ has all your needs covered seamlessly.
The circuitry of THE BUS+ is crafted using high-quality components, featuring 2181 THAT VCAs that guarantee outstanding analogue performance. Its design offers four distinct operation modes along with three unique compression colouration options that can be mixed and matched, making it an ideal fit for any genre. In addition, THE BUS+ is equipped with sophisticated routing options and advanced processing tools, including a Dynamic Equaliser (D-EQ), a Transient Expander, and so much more, allowing you to explore an expansive range of sonic possibilities.
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Bus Compressor - 4 modes of operation - Classic Stereo, Σ S/C Stereo, Dual Mono or Mid-Side - External side-chain inputs and sends - The authentic SSL Bus Compressor circuit - LOW THD Mode reduces low-frequency distortion caused by compression - F/B Mode alters the compression characteristics for a more 'relaxed' style of compression - 4K Mode - single VCA operation with variable harmonic distortion to bring some 'grit' and 'grunge' to the mix - Negative Ratios - for creative pumping effects and control of particularly loud signals - New Attack and Release options, including the new 'Auto 2' setting - MIX control for instant parallel compression - Moving-coil gain reduction meters - Unlockable Transient Expander
D-EQ - Powerful 2-band analogue Parallel Dynamic EQ - the D-EQ - Compress/Expand modes - 3 choices of time constants for each band - Nominal, FAST or AUTO - 16 selectable Frequency points per band - Adjustable Range control per band from 0.5 dB to 15 dB - HF band can be switched to Bell shape, with selectable frequencies covering High-Mids and Highs - Frequency band static 'make-up' gain for LF and HF bands (Stereo/ Σ S/C Stereo) or LF band (Dual Mono/Mid-Side) - G-Series mode changes LF filter to be 2nd order with degree of undershoot/overshoot - Tri-colour activity LEDs to indicate D-EQ activity - Individually bypass-able bands
- 100% analogue circuit, controlled digitally using stepped front-panel pots - Huge +27.5 dBu headroom - Configurable processing order - Bus Compressor pre D-EQ (default) or post - CH 1 IN and CH 2 IN buttons for global bypass - Settable Operating Level - 0 dB (nominal), +10 dB, -5 dB - Sleep and Auto-Sleep modes - Precision MDAC-controlled MAKE-UP Gain with two ranges - 1 dB or 0.5 dB steps
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