PreSonus StudioLive 16R 16-Channel Series III Rack Mixer/Stage Box PRE-SL-16R $ 2499 $2,941.16
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Description

PreSonus StudioLive 16R 16-Channel Series III Rack Mixer/Stage Box

The perfect partner for a StudioLive Series III console.

The StudioLive 16R Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 16R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the StudioLive 16R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 16R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just one rackspace. (1U).


The most powerful rack mixer in its class.

When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R&D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.


A third-generation Fat Channel.

StudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system.


Customize scenes and presets in new and powerful ways—including your way.

With StudioLive Series III, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.


Create buses and groups to suit your workflow with FlexMixes.

Don’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to six FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 6 FlexMixes are in addition to the 2 internal effects sends and the stereo main bus, giving you a total of 10 mix buses, not counting the solo buses. We also provided eight Filter DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive Series III rack mixer exactly to your needs and workflow.


​Integrated software package with professional DAW, remote-control apps, and one-touch recording.

PreSonus StudioLive Series III mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive Series III mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.


Network-ready, with a choice of recording methods.

Networking isn’t the future of professional audio systems; it’s here now. StudioLive 16R Series III rack mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive Series III mixers and compatible computers and stream up to 32 channels of audio to and from a Mac or Windows PC. You also get 18x18 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. Alternatively, quickly and easily record the main mix—or any other stereo mix—to the built-in SD Card recorder. Upload a show for fans, give the band a reference recording, and more, no computer required. You can even simultaneously multitrack record to your laptop via USB or AVB and record in stereo to SD.

 

Specifications

Mi​crophone Preamplifier

 

Input Type

Combo locking XLR mic-¼” TRS line

Frequency Response to Main Output (at unity gain)

20-20 kHz, ±0.5 dBu

Input Impedance

1 kΩ

THD to Main Output

<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd

S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)

94 dB

Common Mode Rejection Ratio (1 kHz at unity gain)

65 dB

Gain Control Range (±1 dB)

0 dB to +60 dB

Maximum Input Level (unity gain)

+12 dBu

Phantom Power (±2 VDC)

48 VDC, switchable per channel

Unbalanced Inputs (Ch. 15-16)

 

Type

RCA Female, unbalanced (stereo pair)

Maximum Input Level

+12 dBu, ±0.5 dBu

Main Outputs

 

Type

XLR Male, balanced

Maximum Output Level

+24 dBu, ±0.5 dBu

Output Impedance

100Ω

Mix Outputs

 

Type

¼” TRS Female, balanced

Maximum Output Level

+18 dBu, ±0.5 dBu

Output Impedance

100Ω

Headphone Output

 

Type

¼” TRS Female, active stereo

Maximum Output

100 mW/ch. @ 60Ω load

Frequency Response

20 Hz – 20 kHz (± 0.5 dB)

THD+N

0.01%, 1 kHz, max gain, 20 Hz BW, unwtd

S/N Ratio

96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

System Crosstalk

 

Input to Output

-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)

Adjacent Channels

-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)

Digital Audio and Control

 

ADC Dynamic Range

115 dB (A-wtd, 48 kHz)

DAC Dynamic Range

115 dB (A-wtd, 48 kHz)

USB Recording Port

USB 2.0, Type-B

Network Control Port

RJ-45

AVB Audio Network Port

Locking XLR Ethernet

Internal Processing

32-bit, floating point

Sampling Rate

48 kHz (44.1 kHz coming soon)

A/D/A Bit Depth

24

Reference Level for 0 dBFS

+18 dBu

Total System Latency

1.9 ms (local routing, analog in-analog out, all processing active)

Clock

 

Jitter

<20 ps RMS (20 Hz - 20 kHz)

Jitter Attenuation

>60 dB (1 ns in, 1 ps out)

Power / Environmental

 

Connector

IEC

Input-Voltage Range

90 to 230 VAC (±10%)

Power Requirements (continuous)

85W

Recommended Ambient Operating Temperature

0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit

Physical

 

Height

1.75” (45mm)

Width

19” (483mm)

Depth

12” (305mm)

Weight

8.6 lbs. (3.9 kg)

 

Features

Local Inputs and Outputs

  • 18 total inputs
    • 16 mic/line channel inputs + 2 RCA inputs
  • 6 ¼-inch TRS FlexMix outputs
  • 2 XLR (L/R) Main outputs
  • Stereo headphone output

Channels and Buses

  • 16 input channels
  • 1 stereo digital return (SD Card, AVB, or USB)
  • 10 buses:
    • 6 FlexMixes (can be designated as aux, subgroup, or matrix mixes)
    • 2 internal effects sends
    • Stereo main bus
  • 6 Filter DCAs for easily and flexibly controlling groups of channels

Networking Connections

  • 1 Ethernet control network port
    • Dynamic, Self-Assigned, and Manual IP address modes
  • 1 Locking XLR Ethernet AVB audio network port

Recording

  • Onboard stereo SD recorder
  • 18x18 USB recording interface
  • 32x32 AVB recording interface

Signal Processing

  • Intuitive Fat Channel signal processing on every channel with:
    • A/B settings comparison
    • Highpass filter and polarity reverse
    • Gate/expander with sidechain
    • Compressor with sidechain
    • 4-band parametric EQ on inputs
    • 6-band parametric EQ on outputs
    • Limiter
    • Delay on every input
    • Delay on every output
    • Professionally programmed library of presets
  • Vintage EQ and compressor models available on every input
    • Passive EQ
    • Vintage EQ
    • Tube compressor
    • FET compressor
  • 8 31-band graphic EQs
  • 2 internal effects buses: combination of reverbs and delays with modern and vintage options
  • Built-in real-time analyser

Scenes and Presets

  • Create, save, and edit up to 100 scenes
  • Scene management with:
    • Scene Safe—prevents a scene change from affecting designated “safe” channels
  • Create, save, and edit channel settings and copy/paste between channels
  • Advanced channel preset options can save and recall:
    • Channel type and name
    • Input settings (preamp, +48V phantom power, polarity, pan)
    • Fat Channel A & B settings
    • Bus assignments
    • Aux and effects send levels and pan
    • Select button colour
  • 8 Quick Scenes
  • 8 Mute groups

Digital

  • Studio-quality converters with 115 dB dynamic range
  • 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)

Actively Integrated Software

  • UC Surface touch control software for Mac®, Windows®, iPad®, and Android 
  • Studio One® Artist digital audio workstation software for Mac and Windows
  • Capture™ multitrack recording software for Mac and Windows
  • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store and Google Play
     

Reviews

Please Note: This item may be on display at the Mooloolaba Music Shop and may have been available for demonstration to in store patrons. We take careful and meticulous care, boxing and cleaning of your product before the shipping or selling of an item. If you do want photos before making a purchase please call our shop where one of our staff can assist in sending more detailed images.

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(b) an event beyond Mooloolaba Music's control, such as storm, fire, flood, earthquake, terrorism, power failure, war, strike or failure of computer systems, means that Mooloolaba Music is unable to supply the Goods within a reasonable time
(c) Goods ordered were subject to an error on the Website, for example, in relation to a description, price or image, which was not discovered prior to the Order being accepted;
(d) The products shown in the images above product may differ to the purchased product. Changes could include, different stands, treatments, slight variations in colour, In-built batteries and charging ports. Please contact our team for further clarification.

We ask that you research parts carefully before buying.
Purchase of any non-licenced part as a replacement spare part is at your own risk.
Some branded replacement parts also require professional installation to fit correctly.
If in doubt we will be happy to advise further and confirm suitability before purchase.

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